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automatic double tracking
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the recording process. It used tape delay to create a delayed copy of an audio signal which was then combined with the original. The effect was intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was originally developed in 1966 by engineers at Abbey Road Studios in London〔Martin, George, ''All You Need Is Ears'', St. Martin's Press, 1979, p. 155, ISBN 0-312-02044-9.〕 at the request of The Beatles.
==Overview==
As early as the 1950s, it was discovered that double tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices. Use of this technique became possible with the advent of magnetic tape for use in sound recording. Originally, a pair of single-track (or "mono") tape recorders were used to produce the effect; later, multitrack tape machines were used. Early pioneers of this technique were Les Paul and Buddy Holly. Before the development of ADT, it was necessary to either record the vocal track twice on two different tracks of a multitrack tape, or to record the vocal first on one tape, then again on a second tape while simultaneously copying the first to the second—a process that could be both tedious and exacting, and might require several takes. After the development of ADT, this process became known as "manual double tracking".
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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